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  1. I was never a massive fan of The Cramps but if you were to be found in alternative nightclubs in the early to mid ‘80’s you were going to run into them. This being why I own what is effectively The Cramps Greatest Hits. Sadly my copy is missing it’s original 3D spex for viewing the 3D sleeve :-(

    “Off The Bone” is a collection of The Cramps first 7 or so singles and it does contain some absolute bangers. “Human Fly”, “Goo Goo Muck” and “The Crusher” were all in heavy rotation around Brum’s alternative clubs when me and my (now) wife were hitting the town and the dancefloor and catching the night bus home in the early 80’s.

    For anyone who has been living under a rock The Cramps mixed rockabilly, rock ’n’ roll and schlock-horror into a heady, danceable brew all wrapped up in leatherette, sequins and hairspray, just perfect for the crossover of post-punk, new romantic and proto-goth kids in the clubs at that time. We saw them live in ’84, one of the most memorable gigs I’ve ever been to.

    Goo Goo Muck - https://youtu.be/RVhdHAqoE_c

  2. You’ll know if you’ve got a first pressing of “Armed Forces”, the opening track “Accidents Will Happen” will jump and skip all the way through. I must have taken at least 4 copies back to the record shop before we all realised the records were flawed and I gave up. They obviously sorted it out and repressed it as I now own a flawless copy.

    One other thing to mention before the music is the packaging. This is an elaborate thing of beauty. The back of the sleeve folded out in halves and quarters to reveal inside a sturdy card inner sleeve, 4 “postcards” featuring the individual members of the band and a bonus 7” EP recorded live at “Hollywood High”. The sort of luxurious artwork that had been previously bestowed upon 70’s prog-rock types. Radar were telling us EC was worth it.

    “Armed Forces” is what I regard as EC’s best album, the caveat to that is that I pretty much stopped buying his records after this one, don’t know why that’s just the way it worked out. So it may be more accurately described from my viewpoint as his best album of his first three. The album’s leading single (actually released a month after the album) was “Oliver’s Army”, likely Costello’s best known song. Musically its set within a piano performance ABBA would have been proud of. Lyrically it concerns the troubles in Northern Ireland, the absurdity of writing a song about such a complicated subject (“Don’t start that talking, I could talk all night”) and features a phrase that Costello has in recent years distanced himself from (“One more widow, one less white…” you can fill the rhyme in yourself) and means he no longer performs his best known song live.

    The whole album is in a similar vein, it’s a gorgeous, melodic pop record with lyrics on more serious themes. “Accidents Will Happen” is about a marriage break up; “Green Shirt” is a baroque pop beauty concerned with a newsreader (Angela Rippon ?) who “comes into my house every night” and tells of news and conspiracies and the rise of nationalism on the streets, echoing the albums original working title “Emotional Fascism”; “Goon Squad” always struck me as being about escaping the “real world” and its expectations for the life he chose; “Chemistry Class” and “Two Little Hitlers” both look at the main themes on this record, love and politics, and compare the opposite sides in a personal relationship with the opposite sides of the political spectrum (the former compares the end of a relationship to a final solution, the latter says “Two little Hitlers will fight it out until, One little Hitler does the other ones will”) all wrapped up in melodies to die for.

    The Attractions are again on top form throughout, brilliantly supporting Costello’s wonderful songs. Future records were never quite as angry as this opening trio (maybe that’s why I stopped buying ?) but Costello went on to become hailed as one of Britain’s great songwriters. “Armed Forces” definitely bought to a close this period for EC.

    Green Shirt - https://youtu.be/MGas0-_OwEI

  3. By his second album EC had found himself his own band and a new record company. During 1977 Costello’s manager and Stiff Records co-owner, Jake Riviera, departed the label due to a dispute with co-founder Dave Robinson. Due to the terms of their management agreement Costello left Stiff and moved to Radar Records.

    His new band were The Attractions who in time proved to be a formidable backing band. Bassist Bruce Thomas had previously played with Quiver (of Sutherland Brothers & fame), drummer Pete Thomas had made an album with pub rockers Chilli Willi & The Red Hot Peppers while classically trained keyboard man Steve Nieve had never played with a rock band before. Formidable or not they didn’t yet have enough clout to get themselves a credit on the sleeve, but they’re there on the label. The sleeve itself says much about the contents, Elvis as the “Cool Jerk” (as The Capitals would have it) seriously peering out from behind the camera ready to capture all your foibles and guilt and lyricise them all.

    “This Years Model” is much more in the New Wave mode than its predecessor, due to The Attractions in the main. The sound they create is much more of the times, vaguely 60’s sounding but more upfront than the first album, in particular Nieve’s wheezy Organ sound. The subject matter is much as it was on “My Aim Is True”, “revenge and guilt”, as EC described it in an interview with Nick Kent, with a sprinkling of railing at fascists. It jumps in with both feet from the off in “No Action” with “I don't wanna kiss you. I don't wanna touch, I don't wanna see you 'cause I don't miss you that much“, nothing too ambiguous there ! 

    And then…and then I thought what am I doing here ? I don’t think I’ve ever looked to Elvis Costello for big statements or answers, even though some might tell you they are here. I think I’ve always looked to him for great songs, great melodies, great performances, great recordings. I don’t think I’ve ever pored over Costello’s lyrics like I have over Weller’s or Joe Strummers or Jason Isbell’s or many others but he does write great ones. What I want from Elvis Costello & The Attractions is great records and this is a bloody great record. In sound and in songs (“Pump it Up”, “(I Don't Want To Go To) Chelsea”, “Lipstick Vogue”, “Night Rally” are all superb) they hit a button that works for me and sometimes you don’t need to dig any deeper than that…I just like this, OK ?

    Lipstick Vogue - https://youtu.be/J3sqZUMgcX4