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  1. Released early in 1978 “Quarter Moon In A Ten Cent Town” is the first Emmylou album we’ve covered that doesn’t feature a song about or written by Gram Parsons. I’m not really sure why I held on to this one, I must have completely succumbed to this gorgeous voice by now. But I really don’t have much to say about it other than it’s Emmylou and its Country.

    On a slight down note, for me, Dolly Parton’s “To Daddy” is the kind of sickly sweet, mawkish Country music that I really don’t like but it delivered up a #3 hit so what do I know. The Rodney Crowell song “Leaving Louisiana In The Broad Daylight” has a guest appearance by The Band’s Rick Danko on Fiddle and backing vocals.

    Guy Clark’s “One Paper Kid” sees Emmylou duetting with the great Willie Nelson on a stripped back (acoustic guitar and harmonica) story of a dreamer. “Green Rolling Hills” is worth a mention. Written by Bruce “Utah” Philips a man who saw himself as a labour organiser, folk singer, storyteller and poet. He wrote about the struggles of labour unions and self-identified as an anarchist. That must have gone down well in Nashville’s Music Row record company offices !

    There’s not really one shining standout moment on “Quarter Moon In A Ten Cent Town”, it is, as you would expect, expertly, slickly delivered Country music. Emmylou’s voice does it for me, a thing of wonder throughout.

    Green Rolling Hills - https://youtu.be/LS3Z0ughijk

  2. Today we reach album #150 in this “little” project I started back in January, quite the milestone. It’s been good for me writing about these records and in some cases discovering corners of and things about them that are new even to me and I hope some of you out there are still following along and occasionally enjoying these ramblings.

    “Luxury Liner” is Emmylou’s 4th solo album and 2nd successive (US Country) #1.  Live and in the studio she had gathered around her a bunch of musicians now known as the Hot Band, chief among them being James Burton from Elvis Presley’s band and who had also played on Gram Parsons records. Around 1976 Burton returned to Elvis’ live band and was replaced in the Hot Band by British guitarist virtuoso Albert Lee (check out his song “Country Boy”) who makes his first appearance on an Emmylou album here.

    Makeup wise things remain the same. A couple of songs written with Rodney Crowell, some standards by Chuck Berry and the Louvin Brothers, no Beatles this time but two more of Gram Parson’s songs and, importantly, the very first cover of Townes van Zandt’s “Pancho And Lefty”.

    Townes van Zandt was a singer and songwriter who was effectively ignored during his lifetime but who, in later years, has come to be hailed as a master of American songwriting. He lived for many years in a shack with no electricity or telephone. He had his addictions to drink and drugs and was diagnosed with bipolar disorder. His health problems from his addictions were responsible for his death in 1997. “Pancho And Lefty”, which Van Zandt recorded originally for his 1972 album “The Late Great Townes Van Zandt”, has become his best known song as, after this first cover by Emmylou, it’s been covered by anybody who is anybody in Country music and beyond. There are versions by Willie Nelson and Merle Haggard, Roseanne Cash, Jason Isbell, Steve Earle, Bob Dylan and even Frank Turner…the list is seemingly endless. It’s a wonderful song, the tale of 2 “cowboy” drifters, Pancho (spelt Poncho on TvZ’s original version) and Lefty, one of whom “met his match you know, On the deserts down in Mexico”, the other who immediately “split for Ohio”. Have a listen below, Emmylou delivers it beautifully.

    I only usually include one video link on these things but today I’ve left you three. “Pancho And Lefty” from this album, a live version from someot other Euro music show with Emmylou and the Hot Band (Rodney Crowell on acoustic and Albert Lee on Electric guitar) and last a lovely interview with Townes himself about the song. Sorry if it’s overload but it’s such an important song I think it deserves to be celebrated.

    Back to the album…my other main points of interest here are the two Gram Parsons songs. “Luxury Liner” dates back to Gram’s time in the late 60’s, pre-Byrds, with the International Submarine Band. That band also featured Chris Etheridge who turned up in the Flying Burrito Brothers later on. The song is a steamroller Country hoedown with an impossibly fast picked solo by (I’m pretty sure) Albert Lee.

    The second of Gram’s songs is the gorgeous ballad “She”. It originally appeared on Gram’s first solo album “GP”. I’ve always thought the song was about Emmylou anyway with lyrics like “She, came from the land of the cotton” (Emmylou is from Alabama) and the more than obvious “Oh my, but she sure could sing”. It’s a thing of rare beauty.

    Not much else to report. You either like Country music or you don’t (I do and I’d like to think I might help change some perceptions along the way). Onto the next one.

    Pancho And Lefty - https://youtu.be/l3LQeRqTBK4

    Pancho And Lefty (TopPop) - https://youtu.be/1MtvnZ2LvsM

    Townes van Zandt Explains Panch And Lefty - https://youtu.be/g3bFAuuUeXU

  3. Just 10 months after “Pieces Of The Sky” out came its follow up “Elite Hotel”. The formula remains the same (this is Country music so yes there’s a formula. If you’re after the new or innovative then go look elsewhere) although Emmylou was mixing Rock with her Country.

    Again we have the stellar studio musicians now known as Emmylou’s Hot Band (James Burton and Rodney Crowell (guitar), Glen D. Hardin (piano), Emory Gordy Jr. (bass), Hank DeVito (steel guitar), John Ware (drums)), plus guests like Bernie Leadon and Linda Ronstadt). In fact when Esquire magazine published a feature about her and failed to mention the Hot Band at all Emmylou took out an ad in a trade publication to chastise the magazine !

    Emmylou is still writing with Rodney Crowell (the opening “Amarillo” being a highlight) and we have the country classics (Buck Owens “Together Again” (which led to an invitation to duet with Buck Owens) and Hank Williams “Jambalaya”), The Beatles make a return (“Here There And Everywhere” bought rumblings of discontent from Country purists but has long been hailed as one of the great covers of The Beatles) and the spirit of Gram Parsons still walks the halls of this Hotel.

    This time instead of writing about Gram, Emmylou sings his songs, 3 of them, almost making “Elite Hotel” a Gram Parsons tribute album. Interestingly 2 are songs we’ve covered here before, “Sin City” and “Wheels”, both coming from the Flying Burrito Brothers album “The Gilded Palace Of Sin”. The third is “Ooh Las Vegas” from Gram’s 2nd solo album (which Emmylou also featured on) “Grievous Angel”, a song which could be “Sin City” part 2.

    “Sin City”, with its metaphor of Las Vegas representing life in general, is taken at the same sedate pace as the original, Emmylou’s voice soars in places. “Ooh Las Vegas” (or just “Las Vegas” as Gram had it) is a rollicking barnstormer, as it should be, a gamblers life on the strip set to music

    “Well, I spend all night with the dealer, Tryin' to get ahead

    Spend all day at the Holiday Inn, Just trying to get out of bed”

    “Wheels” closes things out perfectly “Come on wheels take this boy away”. On the whole “Elite Hotel” is a solid follow up to “Pieces Of the Sky”. The inclusion of three of Gram’s songs and of course Ms Harris’ beautiful voice make it more than worth my time.

    Ooh Las Vegas - https://youtu.be/ANcF-PUNL4o