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  1. I was very late to Cud’s party. Yes I knew the name but I don’t think I knowingly heard them until I caught them at the Shiiine On Weekender at Butlins (!) in 2015. That was the point at which I pondered “why have I never listened to them before ?”. They were bloody good. One of their CD’s (this album) came through the shop and I had a listen, it was bloody good.

    Singer Carl Puttnam has a booming voice reminiscent of Scott Walker at times. The guitars are groovy and upfront and most of the songs seem aimed at the hips. The one that did it for me was “Hey Boots”, an absolutely poptastic Indie groover. Much more than that I cannot tell you. I guess if you already know Cud then you already know and if you don’t know them then have a listen to “Hey Boots” and see what you make of it.

    Hey Boots - https://youtu.be/ac9ARPL1xYA

  2. I was never a massive fan of The Cramps but if you were to be found in alternative nightclubs in the early to mid ‘80’s you were going to run into them. This being why I own what is effectively The Cramps Greatest Hits. Sadly my copy is missing it’s original 3D spex for viewing the 3D sleeve :-(

    “Off The Bone” is a collection of The Cramps first 7 or so singles and it does contain some absolute bangers. “Human Fly”, “Goo Goo Muck” and “The Crusher” were all in heavy rotation around Brum’s alternative clubs when me and my (now) wife were hitting the town and the dancefloor and catching the night bus home in the early 80’s.

    For anyone who has been living under a rock The Cramps mixed rockabilly, rock ’n’ roll and schlock-horror into a heady, danceable brew all wrapped up in leatherette, sequins and hairspray, just perfect for the crossover of post-punk, new romantic and proto-goth kids in the clubs at that time. We saw them live in ’84, one of the most memorable gigs I’ve ever been to.

    Goo Goo Muck - https://youtu.be/RVhdHAqoE_c

  3. You’ll know if you’ve got a first pressing of “Armed Forces”, the opening track “Accidents Will Happen” will jump and skip all the way through. I must have taken at least 4 copies back to the record shop before we all realised the records were flawed and I gave up. They obviously sorted it out and repressed it as I now own a flawless copy.

    One other thing to mention before the music is the packaging. This is an elaborate thing of beauty. The back of the sleeve folded out in halves and quarters to reveal inside a sturdy card inner sleeve, 4 “postcards” featuring the individual members of the band and a bonus 7” EP recorded live at “Hollywood High”. The sort of luxurious artwork that had been previously bestowed upon 70’s prog-rock types. Radar were telling us EC was worth it.

    “Armed Forces” is what I regard as EC’s best album, the caveat to that is that I pretty much stopped buying his records after this one, don’t know why that’s just the way it worked out. So it may be more accurately described from my viewpoint as his best album of his first three. The album’s leading single (actually released a month after the album) was “Oliver’s Army”, likely Costello’s best known song. Musically its set within a piano performance ABBA would have been proud of. Lyrically it concerns the troubles in Northern Ireland, the absurdity of writing a song about such a complicated subject (“Don’t start that talking, I could talk all night”) and features a phrase that Costello has in recent years distanced himself from (“One more widow, one less white…” you can fill the rhyme in yourself) and means he no longer performs his best known song live.

    The whole album is in a similar vein, it’s a gorgeous, melodic pop record with lyrics on more serious themes. “Accidents Will Happen” is about a marriage break up; “Green Shirt” is a baroque pop beauty concerned with a newsreader (Angela Rippon ?) who “comes into my house every night” and tells of news and conspiracies and the rise of nationalism on the streets, echoing the albums original working title “Emotional Fascism”; “Goon Squad” always struck me as being about escaping the “real world” and its expectations for the life he chose; “Chemistry Class” and “Two Little Hitlers” both look at the main themes on this record, love and politics, and compare the opposite sides in a personal relationship with the opposite sides of the political spectrum (the former compares the end of a relationship to a final solution, the latter says “Two little Hitlers will fight it out until, One little Hitler does the other ones will”) all wrapped up in melodies to die for.

    The Attractions are again on top form throughout, brilliantly supporting Costello’s wonderful songs. Future records were never quite as angry as this opening trio (maybe that’s why I stopped buying ?) but Costello went on to become hailed as one of Britain’s great songwriters. “Armed Forces” definitely bought to a close this period for EC.

    Green Shirt - https://youtu.be/MGas0-_OwEI