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  1. Another on eout of order buut Amsterdam’s 2002 2nd album fits with yesterday's post. Originally self released by the band as a CD-r it finally got the vinyl re-issue treatment in 2023, again courtesy of Kitchen Disco Records. Notable in the extreme for the first appearance of what has become Ian Prowse’ defining song, “Does This Train Stop On Merseyside”.

    Possibly the most surprising thing about this album for those that (quite rightly) equate the band name Amsterdam with Ian Prowse is that he doesn’t sing the first two songs on this record. For “Brigitte” (the cover star of the original release was Brigitte Bardot) and “The Glorious Day” (yes, the same “Glorious Day” that would later show up on the album “The Journey”, this time sung by Prowsey) the lead vocals come courtesy of guitarist/flautist Genevieve Mort. As do “The Gangster”, “You Are My Lover”, “You Know You Wanna Be Like Us”…that’s right, almost 50% of an “Ian Prowse” album not sung by Ian Prowse.

    As with yesterday’s “This Time Next year” there is some “recycling” happening on on this album. “The Glorious Day” is a “tribute”, shall we call it, to a Billy Bragg song (“The Warmest Room” https://youtu.be/KACiGzpUi7Y?si=YcIcH3iLole9j5nm) with different lyrics…I’m sure with The Bard’s blessing. ”Our Leader” begins with a snippet of (what I know as Gaelic folk song) “The Mingulay Boat Song” with new words too and the backing vocals on “Hatred Is Wasted” owe more than a big thank you to Mink DeVille’s “Spanish Stroll”. None of this is a criticism, I’m just pointing it out. Knowing Ian Prowse as a big Springsteen fan it can’t be a coincidence that “Does This Train Stop On Merseyside” has a ring of “Does This Bus Stop at 82nd Street” about its title.

    “The Curse” in hindsight (a wonderful thing huh?) feels like a step to somewhere else rather than being a “proper” album (although I’m sure at the time the band felt very differently). A lot of these songs we will meet again, some very soon. “You Are My Lover” resurfaced with a Prowsey vocal on Amsterdam’s album “Arm In Arm” and of course “Does This Train Stop On Merseyside”, “John”, “The Gangster”, “The Glorious Day” and “A Curse” were all included on Amsterdam’s next (proper) release “The Journey”. I’m not having a dig here, these were songs that didn’t really get a wide audience on “The Curse” as it was a self released album so when the band got a deal for the release of “The Journey” on an Indie label why not give these songs a fighting chance to get heard ?

    Ian Prowse is one of our great songwriters and performers, he really should be much more widely heralded for his and his bands talents. This is a step along the way to records we will come to shortly and some of the best live shows I’ve seen in the last 20 years. If you haven’t already, go lend him an ear.

    Our Leader - https://youtu.be/pHoC5qNyqdw?si=8h2hexSBdhyFn08j

  2. Pele were ill served by Polydor records (not the first time that had happened to a band). It will forever puzzle me that no-one at that company thought to suggest them to The Wonder Stuff as at least possible touring partners. We were blissfully unaware of them and when those two entities finally collided in the early 2000’s a lasting bond/friendship/appreciation society was formed.

    “This Time Next Year” should have been their 3rd album but was lost to history when Pele were dropped by the Polydor group. It finally got a release in early 2023 when the excellent independent Kitchen Disco Records, who these days release Ian Prowse’s solo records, finally issued it. 

    In much the same way I feel about Amsterdam’s album “The Curse” (see tomorrow pop kids !)”This Time Next year” feels like a step on the road to somewhere else. “Bye Bye John” was seemingly recycled into “You’re A Phoney” on Amsterdam’s album “The Journey” a few years later which seems to have happened to more than one song in here, like I suspected a step to someplace else. The overall sound here points toward to what Ian Prowse would develop with Amsterdam 5 or 6 years later.

    This Time Next Year - https://youtu.be/UA9Dk2Jzaps?si=cNxlCrIZuE3pN30b

  3. Pele’s 2nd album was originally released in December 1993, this version I have is a 2018 25th Anniversary release. It will forever stun me that I hadn’t heard them before the mid 2000’s. The opening four songs are all absolute belters, “Beside The Fields”, “Don’t Worship Me”, “Hey America” and particularly “Fat Black Heart (Natural Born Enemy)” are songs anyone would be proud of and many would give up a limb to have written. They convincingly demonstrate what a great songwriter Ian Prowse is. Considering it’s 30 years old now “Fat Black Heart…” is as relevant today as it was back then

    How can you close your eyes to the pain, Of someone's loss helping your gain

    Greed and jealousy apart, What beats in your fat black heart

    and finishing on the almost spoken lines “As far as I’m concerned the rich should not even be spoken to, These are your natural born enemies” #fuckthetories indeed.

    “Understanding Sadness” is an utterly beautiful ballad, the closing title track is another Republican anthem we should all take to heart. We’ve seen Ian Prowse play countless times in recent years and he’s still playing the Celtic rave-up that is “Name And Number”. How did this record/band/songwriter go so under the radar for all that time ?

    But never fear there’s still time to get on board the good ship Prowsey. He’s still making great records, we’ll get into some of those shortly, and he’s touring the UK in March 2024 (tickets for his Shrewsbury show available from the White Rabbit Records Facebook page BTW). Jump in anywhere, Pele, Amsterdam or his solo records, they’re all great. And if you find that you don’t get it then maybe check your pulse and see a doctor…

    Fat Black Heart (Natural Born Enemy) - https://youtu.be/C_sSY-4Csuk