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  1. If you’ve listened to any of the videos attached to these scribblings about The Decemberists you will no doubt have realised that Colin Meloy has a very distinctive voice, it’s one you instantly recognise. So there I was one day wandering around Home Bargains in Telford when a song started playing on the in store PA system, nice guitar intro and as soon as the singer opened his mouth I knew it was Colin Meloy. I didn’t know the song so…does this mean they have a new album out ? And that is how I discovered that The Decemberists were about to release “What A Terrible World, What A Beautiful World”…thanx Home Bargains !

    On this, their 7th studio album, The Decemberists play a musical game very similar to “The King Is Dead”. The folk element is definitely American and Colin Meloy is hiding less and less behind palanquin’s, Trillium and Spartan Queen’s and showing more of himself. The albums title is lifted from the lyrics of the song “12/17/12”, that being the date of President Obama’s speech following the Sandy Hook school shooting three days earlier (my 50th birthday). The longer story songs are again not here but in places a sense of humour is on display.

    That sense of humour is no more obvious than on opening song "The Singer Addresses His Audience”, a song addressed to some of their more enthusiastic fans who it seems were not so happy about the bands recent raised profile and subtle change in sound. The lyric “We're aware that you cut your hair, In the style that our drummer wore…In the video” explains a lot about the “Audience” in question.

    Songs like “Cavalry Captain”, “Philomena” and “Better Not Wake The Baby” hark back to an earlier Decemberists while others including the utterly beautiful “Lake Song”, “Mistral” and “12/17/12” see Meloy telling us about his situation now and how he struggles with his personal happiness while out in the world bad things are happening. “WATW,WABW”’s highlight for me is undoubtedly that song I heard in Home Bargains, “Make You Better”. It’s one of those songs that from first hearing you know is going to be sticking with you for a long time , it’s fabulous musically, lyrically (“But we're not so starry-eyed anymore, Like the perfect paramour you were in your letters”) and the video is one of the funniest things I’d seen in a long time (make you butter FFS !). It’s inadvertently made me a better guitar player too. I figured out how to play a version of it but then forced myself to learn it as Colin Meloy plays it. It’s not just a great Decemberists song it’s a great, great song period.

    As on “The King Is Dead” there is a shedding of some of the wordier elements of Colin Meloy’s songwriting. Where previously he’d have told us about “15 lithesome maidens” he’s now more likely to tell us about those girls over there. This doesn’t mean The Decemberists as an educational resource are gone, oh no, we still reached for the dictionary for sibylline (prophetic or mysterious), eidolon (a spirit-image of a living or dead person) and Vanagon (In the US the VW Transporter T3 was known as the Vanagon). But Colin Meloy is now a married man with children and doesn’t need the myths and the expansive language so much, he has things to say about his life.

    The reason I like The Decemberists is because of Colin Meloy’s voice and way with words, the bands understated folky precision. Even though on this album some of the excesses of previous records are being pruned out the overall sound of The Decemberists is still very much here. And I like it…

    Make You Better - https://youtu.be/Yb8oUbMrydk

  2. A 3 x LP live compilation of favourites from their catalogue recorded live on their 2011 North American tour. Colin Meloy’s occasional between song interjections feel somewhat awkward although the explanation of the worst song he ever wrote (see below) is amusing…that’s all really…

    Dracula’s Daughter/O Valencia! - https://youtu.be/YI1i-8hMv1c

  3. We reach album number 100 in this meander through my collection which is quite a milestone. I really thought we’d be further on than the letter D by #100. 

    “The King Is Dead” is the album that broke The Decemberists to a wider audience. “Down By The Water”, released as a single toward the end of 2010, reached number 33 in the US Rock charts. NPR (National Public Radio) in the US nominated it as one of the top 100 songs of 2011 and it was nominated for both Best Rock Performance and Best Rock Song at the Grammy’s in 2012. Stylistically it sails very close to REM, Colin Meloy has said it "started out as more of a paean to R.E.M. than I think any of us really wanted it to be" and REM’s Peter Buck does play on the song plus two others on the album ("Don't Carry It All" and "Calamity Song”).

    This is NOT however an REM tribute album, it is most certainly a Decemberists record, and a very, very, very good one. The sound has shifted for “The King Is Dead”. It’s not as overtly Brit-folksy as on previous albums and the Prog proclivities are kept well in check. It’s a much more American folk based album that demonstrates more alliance with Americana and, OK I’ll say it again, REM. There’s no chaff in here either, 10 songs, no filler, a couple of what qualify as rockers (in as much as the Decemberists can rock) and some of Colin Meloy’s very best acoustic ballads.

    If you think back to when I told you about how I started with The Decemberists you’ll maybe recall the prompt was hearing a friend at an open mic night play “Don’t Carry It All” and here it is, track 1 side 1. If acoustic guitars can hammer in at the start then these acoustic guitars do just that in tandem with a wailing Harmonica and a song about community collaboration and the coming of spring. “Calamity Song” and “Down By the Water” are the closest we get to prime REM and the latter includes the delicious lyric “All dolled up in gabardine, The lash-flashing Leda Of Pier Nineteen” (where Leda sounds like leader but is actually a mythical Spartan Queen). The two seasonal songs “January Hymn” and “June Hymn” are beautiful acoustic ballads with “June Hymn” being one of my very favourite Decemberists songs. We also have a song about the futility of war and a hillbilly hoedown in “Rox In The Box”. Final song “Dear Avery” see guitarist Chris Funk let loose on pedal steel to wonderful effect.

    We do need to make mention of some dictionary/encyclodedia moments on “The King Is Dead”…Trillium is a group of flowering plants including toadshade, birthroot, and wood lily; there is mention of Hetty Green once known as the Queen of Wall Street; Ambien, a prescription sleeping pill; and my favourite Panoply, being an impressive or extensive collection…educational as ever.

    The longform storytelling songs have been ditched for this album, it’s a very tight, concise and confident  record of American folk/pop. Alongside “The Crane Wife” and “Picaresque” this is a great starting point for a Decemberists newbie.

    June Hymn - https://youtu.be/EnP5hRYp6uI