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  1. Although this is Sam Fenders 1st album it was the second one I heard. The reasons for that will be explained in the next installment. This album was released in 2019 when Sam Fender was 25 although he released his first single, “Play Dead”, independently in 2017. I bought this one after being blown away by his next album.

    Sam Fender’s superpower is to be able to write songs about some really grim subjects but to write the song in such a way that they draw you in cos they are so bloody good. Sam has said of the title track

    Its main focus is on the world around the narrator, who is a complete tin foil hatter... Amongst all the chaos is love and celebration, there is this glimmer of hope that runs through the song, a little notion that no matter what happens, these two people are gonna have a fucking good time regardless of the tyrants that run their world, and regardless of the imminent doom from these 'Hypersonic Missiles'

    It’s not exactly light hearted stuff but the song itself is so good you get drawn into it, you find yourself singing along with the obvious singalong bits and that’s the way the message gets through. “The Borders” (reportedly the writers favourite song on this album) is a harrowing tale of two boys who grew up together and grew apart set to an almost Krautrock Motorik rhythm; “Will We Talk” is a glorious Springsteen influenced pop song about one night stands with a beast of a chorus; “Play God” is set in some Orwellian world and was inspired by the onset of Brexit and Trump’s rise in America; "White Privilege" addresses that thing we have just because of our skin colour, whether we like it or not, Fender has said that his white privilege "has affected my success, definitely, white boy with a guitar, fucking great, original, here comes another one.”

    So you can see, not exactly moon and spoon and June, he’s got a lot to say about some uncomfortable subjects. Yet to watch him live (which I’ve only done via YouTube BTW) and see him and his audience lock into the chorus of “Will We Talk?” or “Saturday”, a classic weekend song in the vein of “Friday On My Mind” with a chorus of “If Saturday don’t come soon I’m gonna lose my mind”, is to see something akin to the nights I spent roaring along to The Jam and soaking up what Weller had to say back then. 

    He won a Brit Award for this album which he donated to the pub where he was discovered and they use it as a beer pull. Sam Fender writes great songs, he’s got something to say and says it in a way that makes you want to listen. More power to him I say. 

    Will We Talk ? - https://youtu.be/O1lAx0ruzQk (Live at Reading Festival)

  2. What we have here is Fashiøn MkII, a very different beast from Fàshiön Music as we’ve known them so far. Luke Sky left the band in June 1980 after a London gig opening for U2 (enough to make anyone walk I’d guess). Mulligan and Dik decided to carry on and went through some short lived members even recording a local radio session and supporting the Human League with one line-up. By 1981 DeHarriss (vocals, guitar) and Martin Recchi (bass) had been added to the band and in November they released the single “Move On”.

    “Move On” is utter 80’s perfection, absolute dancefloor dynamite and a DJ in Brum could cram a dancefloor in any of the clubs we were attending at that time before the intro had finished. It’s one of the greatest singles ever to come out of my hometown. Produced by ace German producer Zeus B Held with cover photography by David Bailey, Arista Records very obviously had high hopes for Fashiøn.

    The album is an almost equal split between high energy 80’s dance music (“Street Player (Mechanik)”, “Dressed To Kill”, “White Stuff”) and smokier, more laid back almost jazzy songs (“You Only Left your Picture”, “Do You Wanna Make Love”, “Slow Blue”). Six of the 10 tracks were mined as singles, again suggesting Arista had big expectations (although looking at the “no expense spent” promo video below maybe not). Gina X of German electro pioneers Gina X Performance (“No G.D.M” anyone ?) guests on the single “Love Shadow”. 

    Despite the big name producer, photographer and guests it never really happened for Fashiøn (sales wise) other than in the clubs. Listening to it now it does sound VERY 80’s, which is exactly what it is, but hearing that intro for “Move On” is still a thrill.

    Move On - https://youtu.be/tn1Aempczn4

  3. A compilation of Fàshiön Music’s non-album singles, b-sides and rarities. Not one for everybody but a useful place to round up the non LP singles “Stéädy Eddié Stéädy”, “Silver Blades” (the second time that place has featured in song in my collection. Does anyone recall the first ?) and “Citinite” (well, it’s B-side “Wastelife” as “Citinite” itself was on “Pröduct Perfect”) plus their related b-sides alongside a wealth of unreleased demos.

    Not an album that most would find as interesting as I do but Fashion, in all their guises, are Brummie legends ay they so it had to be had.

    Silver Blades - https://youtu.be/9la2jvxiKUA (with extra added John Peel)